Prince could hardly have avoided influencing Chicago house, whose earliest, most ardent fans were queer Black and Brown kids.
Tag: Vol. 49 No. 8
Issue of Nov. 21 – 26, 2019
Emily Vey Duke and Cooper Battersby create bittersweet experimental videos exploring life’s big questions
“Amazements,” a screening of recent and older works, screens at the Block Museum of Art.
Marriage Story doesn’t pick sides
Noah Baumbach’s latest film about divorce shows both parents not as enemies but as humans
Riane Konc wants to help you Build Your Own Christmas Movie Romance
The choose-your-own-adventure-style parody features all the best tropes and treats of made-for-TV holiday specials.
‘The big house and the picket fence’
Tonya Crowder still dreams that she and her fiance, Roosevelt Myles—who’s been in prison for decades fighting what he says is a wrongful conviction—will one day build a life together somewhere “nice, quiet, and simple.”
How not to be that professor
Dan Savage reads the riot act to a professor sleeping with former students, and more.
The 2020 Frequency Festival announces a lineup of world-class experimental music
Highlights of the 2020 Frequency Festival include a fusion of Carnatic music and jazz, a solo vocal piece for Diamond Reynolds, and programs of work by Eliane Radigue and Annea Lockwood.
A barbaric piggyback ride on the gig poster of the week
This week’s featured gig poster was created by Chicago artist Angel Onofre.
A trip back in time to the World’s Columbian Exposition
Travel tips for Chicago from 1893 (yes, you should tip your servers).
The Republican way
Imagine covering Michael Madigan and Kim Foxx the way Republican-run media cover Trump.
Turning life lessons into a Korporate Bidness
“As long as I got YouTube and the latest iPhone, I’m Gucci.”
Fur the record
Furries aren’t all fetishists—they’re members of a supportive community who (sometimes) don costumes to feel more comfortable in their own skins.
Chef Abu Hani is back in the kitchen at Sheeba Mandi House
North Park has a new Yemeni restaurant from a veteran Yemeni restaurateur.
Why Torture Is Wrong, and the People Who Love Them is Christopher Durang at his darkest
Eclipse Theatre’s all-Durang seasons finishes strong with a brutal black comedy about post-9/11 paranoia.